Dunya Mikhail

Dunya MikhailDunya MikhailDunya Mikhail

Dunya Mikhail

Dunya MikhailDunya MikhailDunya Mikhail
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      • Text
      • Audio
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      • In World Languages
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      • News
      • Reviews
      • Interviews
    • Books
    • Theses
    • عربي
      • مراجعات نقدية
      • أخبار وحوارات
      • نصوص
      • ترجمات
      • ميديا
  • Home
  • Bio
  • Contact
  • Events
  • Praise
  • Media
    • Text
    • Audio
    • Video
    • In World Languages
  • News
    • News
    • Reviews
    • Interviews
  • Books
  • Theses
  • عربي
    • مراجعات نقدية
    • أخبار وحوارات
    • نصوص
    • ترجمات
    • ميديا

In the Press

The Washington Post, Ron Charles

The Washington Post, Ron Charles

The Washington Post, Ron Charles

“Mikhail’s work is an acknowledgment of war’s incomprehensibility and a resistance against it. Perhaps only fiction is capacious enough to contain the kind of cruelty and endurance that overwhelms our understanding of what’s possible. A striking act of imagination that recasts her earlier research with new emotional power.”

Booklist, Daniel Genis

The Washington Post, Ron Charles

The Washington Post, Ron Charles

"Compelling reading. Just because this is fiction doesn’t mean it isn’t true... The bird tattoo of the title is one of the rare comforting constants, a shared emblem of Helen and Elias’ love within this hellish reign of terror. A harrowing and resonant achievement."


Publishers Weekly

The Washington Post, Ron Charles

Publishers Weekly

“Iraqi American poet and journalist Mikhail revisits in this frank and wrenching novel the subject of The Beekeeper, her nonfiction narrative about the impact of Daesh, the name for ISIS, on the Yazidi religious minority of northern Iraq. Mikhail’s sympathetic and fast-moving story of ordinary life and its violent disruption makes for a moving love letter to the Yazidi.”

In the Press

New York Times Book Review, Deborah Campbell

New York Times Book Review, Deborah Campbell

New York Times Book Review, Deborah Campbell

"Mikhail has created a searing portrait of courage, humanity and savagery, told in a mosaic of voices."

The Rumpus, Barbara Berman

New York Times Book Review, Deborah Campbell

New York Times Book Review, Deborah Campbell

"The dead have words because Mikhail has written them."

The Guardian, Peter Stanford

New York Times Book Review, Deborah Campbell

The Washington Post, Ron Charles

"This book makes a sound, and it should be a loud one."

The Washington Post, Ron Charles

The Christian Science Monitor, Elizabeth Toohey

The Washington Post, Ron Charles

"It’s a remarkable, winding work that ascends into dream visions and crawls through gory particulars of war. A child’s perspective mingles freely with the poet’s mature voice, both baffled by the paradoxes of so much beauty and so much destruction."

The Christian Science Monitor, Elizabeth Toohey

The Christian Science Monitor, Elizabeth Toohey

The Christian Science Monitor, Elizabeth Toohey

"one of the foremost poets of our time."

The Guardian, Fiona Sampson

The Christian Science Monitor, Elizabeth Toohey

The Christian Science Monitor, Elizabeth Toohey

"In Her Feminine Sign is a collection of limpid meditations which demand that we pause as we read. Their stillness and clarity is no miniaturised charm. Instead it’s an utterly articulate clear-sightedness that lets each one deliver a shock. The tragedies of recent and not so recent Iraqi history and the traditions of Arabic verse are the steely structures that underpin her profoundly thought-through work of witness."

Site Content

Parkview magazine, Ronald Grant

The New York Times “New & Noteworthy”

Parkview magazine, Ronald Grant

"There is no current voice that speaks on war through poetry more candidly, effectively, and beautifully than Dunya Mikhail."

New Letters, Robert Stewart

The New York Times “New & Noteworthy”

Parkview magazine, Ronald Grant

“Dunya Mikhail combines the authenticity of witness to global events with the essential poetic virtue of wit.”

The New York Times “New & Noteworthy”

The New York Times “New & Noteworthy”

The New York Times “New & Noteworthy”

"With plain-spoken clarity, these poems navigate the meaning of home. ‘How many departures can you put up with?’ one asks."

M. Lynx Qualey, The National

M. Lynx Qualey, The National

The New York Times “New & Noteworthy”

"The stories in The Beekeeper are reminiscent of tales of escapees on the US’s Underground Railroad of the mid-1800s or during the Holocaust. The book is a paean for coexistence in a multiethnic, multi-religious, multilingual Iraq. Powerful and difficult.”

Etel Adnan

M. Lynx Qualey, The National

Marilyn Hacker

"Dunya Mikhail is a woman who speaks like the disillusioned goddesses of Babylon."

Marilyn Hacker

M. Lynx Qualey, The National

Marilyn Hacker

"Somewhere between a cutting-edge film and a 1002nd night of storytelling, interspersed with drawings and calligraphy, Dunya Mikhail's new poems reframe, in a contemporary woman's voice, the great poet al-Sayab's cry from the heart: ‘Iraq, Iraq, nothing but Iraq!’ Here, myth alleviates the exile's longing, and exilic longin itself opens the poet's eyes to broad horizons."

Site Content

Pierre Joris

Fadhil Al-Azzawi, Iraqi poet

John Freeman, LitHub

"Here is the new Iraqi poetry: a poetry of urgency that has no time for the traditional (in Arab poetry) flowers of rhetoric; terse, unadorned, stripped & ironic, Dunya Mikhail's lines move at the speed of events–be it war or love. Here the fierceness of the public life meshes with the hard-won tenderness of the private, in a passionate dialectic that makes her voice the inescapable voice of Arab poetry today."

John Freeman, LitHub

Fadhil Al-Azzawi, Iraqi poet

John Freeman, LitHub

"Mikhail sings of the longing and undoing of exile, mourns the loss of her language, describes its gendering and the re-engineering on her tongue, a poet’s most important muscle. Delicate, beautiful, day-stopping."

Fadhil Al-Azzawi, Iraqi poet

Fadhil Al-Azzawi, Iraqi poet

Fadhil Al-Azzawi, Iraqi poet

"Mikhail's poetry- so pure and beautiful- is the best of her generation."

World Literature Today

Hatem al-Sager, Iraqi critic

Fadhil Al-Azzawi, Iraqi poet

Throughout this newest collection, Dunya Mikhail writes poems of cities, friends, grandmothers, goddesses, of girls who might ‘outgrow / their dresses / while on the road’ to captivity. The poems offer a chronicle of internal life in the landscapes of exile and remembered homeland, always foregrounding the experiences of women. 

Elle UK

Hatem al-Sager, Iraqi critic

Hatem al-Sager, Iraqi critic

"Haunting and captivating—a powerful portrait of courage."

Hatem al-Sager, Iraqi critic

Hatem al-Sager, Iraqi critic

Hatem al-Sager, Iraqi critic

"The poems in this extraordinary collection sway back and forth between America (as a new home) and Baghdad (as a birthplace), between the artifacts of ancient Sumerian civilization and the walls of our modern times. There is no trace of nostalgia in Mikhail’s poetry, though her words feel poignantly real and rare, as if creating a museum of memories."

Site Content

Publishers Weekly

Foreword, Paige Van De Winkle

Publishers Weekly

"Stark and poignant, Mikhail's poems give voice to an often buried, glossed-over or spun grief."

Kirkus Review

Foreword, Paige Van De Winkle

Publishers Weekly

"Powerful, urgent."

Foreword, Paige Van De Winkle

Foreword, Paige Van De Winkle

Foreword, Paige Van De Winkle

"The Beekeeper is a brutally important, electrifying, and lyrical true story."

Boston Review, Susan Barba

The Christian Science Monitor, Elizabeth Toohey,

Foreword, Paige Van De Winkle

[Mikhail is] a poet who can take a subject as difficult as the death of a child and write, counter to the human-interest story or sound bite, a poem that will outlast the exigencies of the present."

American Poetry Review, Laurence Lieberman

The Christian Science Monitor, Elizabeth Toohey,

The Christian Science Monitor, Elizabeth Toohey,

"Mikhail's work is emotionally uplifting. Her style mentions an impressive fragility and delicacy of image that touches the reader's heart. Indeed, her trademark utmost lucidity of picture is tinged by a radiance of tone that we feel unmistakably spills over from the original language."

The Christian Science Monitor, Elizabeth Toohey,

The Christian Science Monitor, Elizabeth Toohey,

The Christian Science Monitor, Elizabeth Toohey,

"Shakespeare would have enjoyed the poetry of Dunya Mikhail who has spoken of love as a response to a war-torn world – an aesthetic, a value, and a practice."

Dunya Mikhail

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